Tuesday January 29th, 2008
SOMETHING TO THINK ABOUT


"When Christ calls someone, he bids them to come and die."

Dietrich Bonhoeffer



Norm's Daily Ramblins
SOUNDS FROM THE PAST - Terry and the Pirates!
image_The Postal Service even issued a Terry and the Pirates stamp.
The Postal Service even issued a Terry and the Pirates stamp.
image_Canada Dry and Quaker Oats were the two major sponsors
Canada Dry and Quaker Oats were the two major sponsors
image_You wouldn't believe what this comic would be worth today!
You wouldn't believe what this comic would be worth today!
image_Master cartoonist, Milton Caniff
Master cartoonist, Milton Caniff
Terry and the Pirateswas a juvenile adventure serial radio broadcast that was heard from November 1937 – 1939 on NBC and October 1941 – June 1948 on WGN, Blue Network, and ABC.

The Terry and the Pirates radio program was an adaptation of the popular comic series, first created in 1934 by cartoonist Milton Caniff (pictured on the right). The comic strip also owed its existence in part to the Chicago Tribune’s colorful "Editor-in-chief," Captain Joseph Patterson, who encouraged Caniff to come to the Tribune and create a strip under the title “Terry and the Pirates,” with its setting in the Far East. Patterson had also played a role in the creation of another famous cartoon, when he convinced Harold Gray to change the “Orphan Otto” in his fledgling strip to ”Little Orphan Annie.”

The fifteen-minute daily radio-serial proved a faithful rendition of the original comic series. It featured the young adventurer “Terry Lee” and his grown-up pals, “Pat Ryan," "Flip Corkin," "Hot Shot Charlie,” and the ladies, ”Burma" and "Elita,” together they traveled Orient routing out pirates and villains at every turn. Foremost among the villains was the infamous “Dragon-Lady,” who headed a syndicate of bandits that terrorized the Far East.

The radio show had a varying cast over its broadcast life. Early on, Jackie Kelk and Cliff Carpenter played “Terry” -with the role during the war years falling to Owen Jordan. Clayton Collyer (of radio’s Superman fame ) was the best known “Pat Ryan,” while actress Agnes Moorhead (of Suspense, Mercury Theater on the Air, and televison’s Bewitched) provided audiences with the most memorable “Dragon-Lady.”

Throughout the war years, the plotline of the cartoon and radio program enlisted Terry and his friends in combat against the Axis powers and the “evils of fascism.” Even the notorious Dragon-Lady would join forces with Terry to fight on the side of the Allies. Despite the Far Eastern setting for the series, the most common and formidable of the wartime villains seemed to be Nazi spies, sent by Berlin to oversee operations in the Pacific. Terry and Pat would fight against lingering pockets of Nazi’s well into the year 1946!

After the war, the Dragon-Lady would return to her old ways as head of an organization of “international pirates.“ But with the deadly hosts of wartime agents vanquished, the show somehow lost much of its intrigue and drive. Ratings began to slip and by 1948 sponsor, “Quaker Puffed Wheat Sparkies,” pulled the plug on the radio broadcasts.

In 1953 Terry and the Pirates was to become a short-lived television series, sponsored by Canada Dry Ginger-ale, which ran from June through November of that year. Earlier in the 1940’s there had been a successful film series (starring William Tracy in the lead as Terry and Sheila Darcy playing the Dragon Lady) so it seemed natural for a television series to come about. William Tracy was hired for the series, but this time acting in the more elderly role of “Pat Ryan,” with John Baer playing “Terry.” The television show proved less popular than producers had hoped and was terminated after 18 episodes.

In 1946 Milton Caniff the comic’s creator, decided to leave “Terry and the Pirates” to start another strip of his own. The Chicago Tribune owned the rights to Terry and his Pirate band -and it was the paper, not Caniff, that reaped the monetary rewards for its success. Caniff began work on his new action-comic, “Steve Canyon”, while Terry was left in the capable hands of cartoonist George Wunder, who would carry on the Pirates tradition until 1973.

Despite George Wunder’s longstanding contribution on the comic series, it was Milton Caniff that remained synonymous with the Terry and the Pirates strip. As testament to this, when Wunder’s 1987 death was reported in the Chicago Tribune, listing him as the long-time cartoonist for Terry and the Pirates, the Caniff household inadvertently received just as many letters of condolence as did the Wunders. -ChrisP




CLICK HERE TO LISTEN TO A "TERRY AND THE PIRATES" PROGRAM FROM THE 1940'S


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A BRIEF HISTORY OF CANDY | No calories trasmitted when just reading.

Since Valentines day is rapidly approaching and "manipulated sugars are a part of the celebration, I thought I'd repeat a neat feature for all us Sugarholic that I've used before.

Nancy's sister, “Auntie June” in Milwaukee, passed this wonderful “Candy Timeline” along to us sometime ago. The article was prepared by the Candy USA website and featured in the Milwaukee Sentinel. It needs to be updated since there has been a raft of new candy bars in the last few years and so many modifications like the new M&M colors. I know you always enjoy learn about all of the candies you've been eating -- all these years. And take a moment to visit the Candy USA website to catch up on the late new candies.

1854- The first packaged box of Whitman's chocolate debuts.

1868- Richard Cadbury introduces the first Valentine's Day box of chocolates.

1880s- Wunderle Candy Company creates candy corn. In 1898, Goelitz Confectionery Company began making candy corn and has made this Halloween favorite longer than any other company.

1893- William Wrigley, Jr. introduces Juicy Fruit gum and Wrigley's Spearmint gum.

1896- Tootsie Rolls debut, introduced by Leo Hirshfield of New York, who named them after his daughter's nickname, "Tootsie".

1900- Milton S. Hershey of Lancaster, PA introduces the first Hershey milk chocolate bar.

1901- Pastel-colored little candy disks called NECCO wafers first appear named for the acronym of the New England Confectionery Company.

1902- Necco makes the first conversation hearts - tiny Valentine's Day favorites with messages printed on them.

1906- Hershey's Kisses chocolates appear in their familiar foil wraps.

1911- The Ziegler Giant choclolate bar debuted in Milwaukee. The Ziegler family lived in Wauwatosa, WI and Mary and I went to school with some of the children of the extended candy family as well as the Davidsons of Harley Davidson. This was an incredible candy, my favorite even before Snickers. Giant Bars can still be found in Phoenix, AZ -- why, I don't know, maybe that's where the family retired.

1912- Life Savers, the candy named for its ring shape with the hole in the center is introduced in peppermint flavor. It would be 22 years before the popular five-flavor roll is introduced.

1912- The Whitman's Sampler box of chocolates is born when the company president decides the needlework sampler hanging in his home would make beautiful packaging. It was the first box of chocolates to include an index showing the filling in each candy.

1913- Goo Goo Clusters, a Southern favorite, was the first bar to combine milk chocolate, caramel, marshmallow and peanuts.

1920- Fannie May Candies opens its first candy shop in Chicago producing a variety of chocolate enrobed buttercreams and caramels.

1920- The Baby Ruth candy bar is first sold, named for President Grover Cleveland's daughter - not the famous baseball player.

1923- Mounds, the double candy bar, offered a coconut filling enrobed in chocolate.

1923- M&M/Mars Milk Way Bar is the first of many candies to be introduced by the Mars family, created to taste like a malted milk that would be available anywhere, any time.

1925- Bit-O-Honey debuts, the honey-flavored taffy bar made with bits of almond.

1926- Milk Duds are introduced as bite-size caramel morsels covered in chocolate.

1928- Crunchy Heath Bars appear, offering chocolate covered toffee.

1928- Reeses Peanut Butter Cups, named for the man who created them, are a peanut butter-chocolate combination among the most popular candy bars today.

1930- M&M/Mars introduces the Snickers Bar, named for a favorite horse owned by the Mars family. It is the number-one selling candy bar in the U.S. today.

1931- Tootsie Roll Pops are introduced and soon widely advertised as the lollipop that offers two candies in one - flavored hard candy on the outside and chewy Tootsie Roll center inside.

1932- MARS® Almond Bar introduced by M&M/Mars.

1932- Red Hots are made by Ferrara Pan Candy Company. These fiery little candy pellets are flavored with cinnamon.

1932- M&M/Mars debuts the 3 Musketeers Bar, originally made as a three-flavor bar featuring choclate, vanilla and strawberry nougat. In 1945, it was changed to all chocolate nougat.

1936- The 5th Avenue Bar was originated by the man perhaps best known for his cough drops - William H. Luden. It was made from layers of peanut butter crunch coated in milk chocolate.

1939- Hershey's Miniatures chocolate bars debut.

1941- "M&M's" Plain Chocolate Candies are introduced in response to slack chocolate sales in the summer months. Fifty-nine years later, M&M/Mars changed the name of this popular candy item to "M&M's" Milk Chocolate Candies.

1942 to 1945- Women working on the Whitman's Sampler production line secretly slipped notes to soldiers in those boxes destined for military shipment. The notes resulted in several long-term friendships and even a few marriages.

1949-Junior Mints offered soft mint centers drenched in dark chocolate.

1949- Smarties small pastel candy disks are introduced, followed by the Smarties Necklace nine years later.

1950- Bob’s Candy Canes, sold under the Cris Cringle brand, are introduced nationwide. Candy canes were originally created by a German choirmaster.

1954- Marshmallow Peeps are introduced by Just Born, Inc. in the shape of Easter chicks. Today, Peeps come in a variety of seasonal shapes and more than 2 million Peeps are made each day.

1960- M&M/Mars Starburst Fruit Chews are introduced and later fortified with 50 percent of the daily value for Vitamin C.

1960- Blammo becomes the first sugar free, soft bubble gum introduced by Amurol Confections.

1960s- Lemonheads are created by Ferrara Pan Candy Company, later inspiring the introduction of Grapeheads, Appleheads, Orangeheads and others.

1963- Sweet Tarts, the candy pellets with the original sweet and tart flavor combination are introduced.

1976- Introduced by Herman Goelitz Candy Company, Jelly Belly Jelly Beans offer consumers fun and unique flavors in a tiny jelly bean.

1978- Hershey's Reese's Pieces bite-size candies are introduced and four years later made popular by the blockbuster movie E.T.

1979- TWIX Caramel Cookie Bars introduced in the U.S. by M&M/Mars.

1980- Goelitz introduces the first American-made gummy bears and gummy worms. Formerly, these candies were imported from Europe.

1981- A European favorite since 1974, SKITTLES Bite Size Candies are introduced in the U.S. by M&M/Mars.

1992- DOVE Dark Chocolate Bar and DOVE Milk Chocolate Bar introduced nationally by M&M/Mars.

1994- Blitz Power Mints are one of several strong mints introduced in the 1990s as the breath freshener category grows.

1998- Holopops become the first hologram lollipops introduced by Light Vision Confections. The design on their etched surface appears to change as you move the pop.

1999- Sound Bites Lollipops from Cap Candies is the first radio-lollipop combination in the growing interactive candy segment.

2001- "M&M's"® Dulce de Leche Caramel Chocolate Candies introduced to tap into a growing Latino market

Interested in finding more history and information about your favorite candies? Then have a look at the Candy USA website sponsored by the National Confectioners Association linked below. And if you live within driving distance of Chicago and you are a Sugarholic, you might consider getting some black market tickes to the Candy Explo being held at McCormick Place in that great city in June.

I wonder why this essay ignored Lady Godiva chocolates? Perhaps, it was a nudity issue.

Click here for the American Confectioner's Website. It's a great trip!



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Norm's Daily Ramblins
LUX.... PRESENTS HOLLYWOOD!
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Three new programs were added January 28, 2008! Click the links below to hear some of the programs from the early 1940's. We've added four one hour programs to the "Shop Around the Corner that we had posted last week: "A Star Is Born," "The Day the Earth Stood Still," and "Knute Rockne - All American!" As you listen you may finish reading Ramblins or go about your other business.

The Lux Radio Theater radio broadcasts from October 1934 – June 1955 on the Blue Network, CBS, and NBC.

The Lux Radio Theater was the most important and prestigious dramatic program on radio. During the show's heyday almost a third of the country could tune in on any given week and its producers had at their service the biggest stars in Hollywood, who viewed an appearance on the program as something approaching an honor or privilege.

The Lux Theater first began in New York City making modest radio adaptations of Broadway stage productions of the day. The guiding principle for the program was to buy the rights to a good play, adapt it into a one-hour radio format, and try hiring thebiggest stars possible in hopes that audiences would tune in. In New York the competition for big name actors was fierce; by then most film stars had migrated to Hollywood and when they did come east, it was usually just a short stint between movies or a stopover on their way to Europe. Whenever a star arrived in town, they were mobbed by hordes of agents seeking their appearances on various variety shows. To appear on one of the big radio-variety programs was far less demanding than the commitment of learning the part for an entire play; this made the Lux Theater’s work at attracting stars all the more difficult! It was said that on one occasion a Lux Theater scout managed to steal Leslie Howard from a gauntlet of waiting agents by taking the actor’s suitcases and marching them straight to a waiting cab.

In 1935, with big-name talent growing rarer by the day and the Lux Theater’s ratings on the wane, a Danny Danker was hired to revamp the show. Danker recommended moving the program to Hollywood, for ready access to major stars and, once there, making extravagant radio adaptations of popular films. Executives followed Danker’s advice moving the show West in 1936 and went a further step by hiring film-mogul Cecil B. Demille as the program’s host and “contributing producer.” The Lux Radio Theater made an overnight sensation. The Music Box Theater, broadcast sight for the program, was filled to capacity for each show -and on one occasion was the scene of a small riot, when Robert Taylor and Gene Harlow fans invaded the theater by storming a fire door.

The size of the radio theater productions were unprecedented; a minimum of 50 people were involved in each program -the orchestra alone numbered 25 persons, with 20 or more speaking roles and the remainder consisting of various technicians. Each play was a five-day commitment for the actors, including transcribed recordings and dress rehearsals. At the program’s peak, Hollywood movie sets were know to halt production for a week, if one of their top stars was appearing on Lux. Even the biggest of stars, once thrown into the unfamiliar environment of radio, sometimes reacted with severe cases of stage fright when confronted with the live microphone and the invisible specter of 40 million fans across the nation listening in.

The Lux Radio Theater went through several hosts over its 20-year broadcast life. During the show's New York days the role was played by John Anthony, who carried the stage name “Douglass Gerrick” for the broadcasts. The illustrious Cecil B. DeMille carried the program through the bulk of its Hollywood heyday, enjoying the program immensely. He was once quoted to say that, "I wouldn’t take a million for the experience I’ve had in radio.” But in 1945 he was released from the program over a dispute in which he refused to pay a $1 union due to the American Federation of Radio Artists. William Keighly took over as host from 1945 – 1952, with the program’s final few years presided over by Irving Cummings.

Near the end of The Lux Theater’s run it was estimated that the program had gone through 52,000 pages of script, 500 stars, and 1500 supporting actors. The two stars to top the list for number of appearances on the program are Fred MacMurray and Loretta Young, with 26 and 25 roles respectively –other frequent guests include: Claudette Colbert (24), Barbara Stanwyck (23), Cary Grant (22) and Don Ameche (21).

Click the links below to hear some of the programs from the early 1940's. We've added four one hour programs to the "Shop Around the Corner that we had posted last week: "A Star Is Born," "The Day the Earth Stood Still," and "Knute Rockne - All American!"




Click - A Star Is Born

Click - The Day the Earth Stood Still

Click - Knute Rockne, All-American

Click - The Shop Around the Corner



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Norm's Daily Ramblins
IN HONOR OF A WONDERFUL FOOTBALL SEASON.
WHAT FUN IT HAS BEEN!

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Hundreds and hundreds of football games since last August. I think I saw them all. Ask Mary. She'd know if I missed any.

The college season ended up with no one wanting to be ranked #2. Georgia ended up far higher than we expected last fall and Georgia Tech was a big disappointment for me.

The pro season was a good one, indeed. Found myself rooting for the underdog except when it came to Green Bay and the Broncos. The Falcons? Forgetaboutit! I'd rather shop at Home Depot and watch Mr. Blank's blank.

Best game of the year was the Packer's snow game. Now that's how football is supposed to be played. The Packers were not to have much of a season with the team not drafting any free agents to help Mr. Farve, but the old man did bring them back - almost to the final line.

Andy Griffith honors this Football Season with his old routine that will bring a smile to your heart no matter what your team did this year. I threw in a couple extra "Andy" deals as a bonus. Click the title of the selection you want to hear.


"WHAT IT WAS NOW, WAS FOOTBALL!"



WHEREFORE ART THOU, HAMLET?"



FISHING MUSIC WE ALL LOVE






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WHAT ARE THE WORDS TO THAT HYMN? | Let's see now!

The old and semi-retired Internet Flyer, Harvard No Land discovered an excellent Web site that might help you some day. Here's want Harvey wrote to his friends and to me:

"If you aren't familiar with this site, check it out. It's pretty amazing. Try to find a hymn they don't have listed." Put it on your favorites for that time when there is a questions about "words."

Click Here to find the words to that hymn



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Norm's Daily Ramblins
HOW ABOUT THIS FOR A "FIX?"

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Are you tired? Worn out? Burned out on "religion?"

Come to me! Get away with me and you'll recover your life. I'll show you how to take a real rest. Walk with me and work with me -- watch how I do it. Learn the unforced rhythms of grace.

I won't lay anything heavy or ill-fitting on you. Keep company with me and you'll learn to live freely and lightly.

Matthew 11:28-30 The Message Bible, Navigator Press, Colorado Springs, CO

THE PHRASE "LEARN THE UNFORCED RHYTHMS OF GRACE" IS ONE GREAT METHPHOR I HAD NEVER PAID ATTENTION TO IT BEFORE.

The Scripture you've just read above has some wonderful words of Jesus. They are as comforting as one can find anywhere in the bible. Jesus makes some powerful key suggestions -- "Walk with me." "Work with me."

That's how we get to know someone intimately. By walking and working we learn the heart and mind of the person we are doing it with and develop an intimate love.

And isn't that a beautiful phrase -- "learn the unforced rhythms of grace." That's one powerful phrase! "The unforced rhythms of grace."

Definitley a state of "going with the flow" knowing Who you have turned control of your life over to. Absolutely beautiful and something everyone should experience -- but sadly, that doesn't happen often. You do your part to learn the "unforced rhythms of grace." NP




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Y'ALL COME BACK NOW | Ya Hear?
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Chris and Norm
We're always honored by visitors. We do our best to provide new information on this "Ramblin" page ... and leave some of the stuff we think is extra good a little longer than the others. Please visit again.

We'd enjoy hearing from you. Drop us a note. We'd enjoy knowing you're visitin.' "Drop Us A Note" at: norman@peachmm.com

We extend to you an old Southern salutation you don't hear much... any more down here in Atlanta. "Ya'll come back now, ya'hear?"

Norman Plunkett

God is good -- ALWAYS!

And especially as He floods you with all the grace you need no matter what the situation. As you trust Him, God's grace is always just enough and always on time.





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